Susan Moore Jordan
When Susan Moore Jordan was a high school student in the mid nineteen-fifties in Oak Ridge, Tennessee, a close friend went through a shattering event just as she was preparing to audition for the high school’s annual musical. Decades later Jordan used that experience of tragedy to triumph to write her first novel, How I Grew Up, in 2013. Two additional novels followed: Eli’s Heart in 2014 and You Are My Song in 2015, completing “The Carousel Trilogy.” A fourth novel, Jamie’s Children, was released in July of 2016. Memories of Jake followed in March of 2017. Man with No Yesterdays is scheduled for release on November 11, 2017. All of Jordan’s novels are drawn from her life experiences as a voice teacher and stage director and are inspired by real people she has encountered.
Jordan attended the College-Conservatory of Music in Cincinnati and moved to the Pocono Mountains in Pennsylvania in 1971 with her late husband and three young children, where she established a private voice studio and directed local community and high school musical theater productions. She retired from directing in 2015 after over thirty years and wrote about her adventures in “More Fog, Please”: Thirty-One Years Directing Community and High School Musicals, released in November, 2015.
All of Jordan’s books are available on Amazon in paperback, and the novels are also available as Kindle editions. Paperback copies can be purchased at the Pocono Cinema and Community Center whenever the theater is open.
For more information please visit her website below
The Case of the Slain Soprano: Augusta McKee mysteries, Volume 1 (Murder Mystery)
Cincinnati, 1963: One-time opera singer Augusta McKee, professor of music on two college campuses, is successfully navigating her busy life in stiletto-shod feet—until she comes up against a shocking road block. Halfway through rehearsals for a production of “The Pirates of Penzance,” Augusta receives the awful news that her leading lady has been murdered. But “the show must go on,” and while forging ahead to make that happen, Augusta stumbles upon pertinent information which could lead to the identity of the perpetrator. First, though, Augusta must convince Homicide Detective Malcolm Mitchell that what she has uncovered can help him solve the case. While the strong-willed diva and the dashing detective clash at their first meeting, their dissonant chord becomes harmonious when Augusta and Malcolm continue to cross paths and discover a shared passion for opera … and a strong desire to catch the killer. A murder mystery, “The Case of the Slain Soprano” is a departure for Susan Moore Jordan, whose previous historical novels follow characters as they deal with physical, mental, and emotional life challenges with the help of music. Jordan, a singer, teacher, and former musical theater director, has written about her adventures in “More Fog, Please”: 31 Years Directing Community and High School Musicals. She resides in the Pocono Mountains of Pennsylvania.
Man With No Yesterdays (Contemporary Fiction)
“I was born somewhere over the South China Sea in a military transport plane …” Jake Cameron is facing the struggle of his life. A helicopter crash in Vietnam leaves Jake with total amnesia, and the young Green Beret returns home to a family he doesn’t know and can’t remember. As he attempts to piece together the life he once had, fragmented memories from his childhood serve only to increase his desperation. Unable to be the son and brother his family has lost, Jake sets out to learn whatever he can about the man he was. When he uncovers a dark family secret, he decides to protect the people he loves by disappearing. Susan Moore Jordan’s new historical novel, Man With No Yesterdays, follows Jake on his journey as he fights to find himself … a journey that takes him into his past, connects him with other Vietnam veterans, and eventually leads him to situations, places, and a love he would never have dreamed possible.
Memories of Jake (Contemporary Fiction)
Andrew and Jacob Cameron are tied together by a bond more powerful than blood. As young children, they experience a horrific event that tears their family apart. Then just as they complete their high school years, the Vietnam War intensifies. Both young men serve in the military: Andrew in the Marine Corps, Jake as a Green Beret.
Each brother is damaged by his service in Vietnam, Jake in a way that will change his life forever. Andrew, always protective of his rakish younger brother, is determined to restore Jake and their relationship to normalcy. But when Jake disappears, Andrew’s life is left in shambles.
His loving parents, his always supportive wife Mary, even his burgeoning career as an artist seem not to be enough to alleviate the pain of Andrew’s frantic question:
Where is my brother?
Jamie’s Children (Coming-Of-Age)
“It’s more than music: it’s light. It’s love. It’s life.”
Laura and Niall Logan, children of a brilliant musician, have gifts of their own. Laura, first-born, child prodigy violinist suffers from emotional problems that haunt her well into adulthood. Niall, talented singer-song writer, is demonized by bouts of bipolar disorder. Supported by the people they love and the power of music, they seek to overcome these daunting challenges as they strive to claim their own place in the spotlight.
Author of How I Grew Up, Eli’s Heart, and You Are My Song (“The Carousel Trilogy”), Jordan draws from her life experiences as a voice teacher and stage director while seamlessly weaving together stories that explore the power music has to inspire and heal.
“More Fog, Please”: 31 Years Directing Community and High School Musicals (Non-Fiction)
“More Fog, Please” – 31 Years Directing Community and High School Musicals — is exactly that, memories of over thirty of the eighty musical theater shows Susan Moore Jordan directed from 1984 to 2015. “There’s no question where the buck stops in a theater production,” Jordan says, but she adds, “There are many people mentioned in these pages, because none of these shows could have happened without them.” Each chapter begins with the “Director’s Note” that appeared in the printed program for the show, and Jordan informally discusses the productions. She highlights the events – some exciting, some stressful, some humorous, some anxious, some frightening, some sad – that confirmed the old saying “the show must go on.” Woven throughout the book are “adventures” with stage fog, which the author loved to use. An intriguing look into the world of amateur theater and the people who make it happen, from one director’s point of view.
How I Grew Up: The Carousel Trilogy, Book One (Literary Fiction)
“You’ll Never Walk Alone.” The words from that song in Rodgers and Hammerstein’s Carousel held an especially poignant meaning for Melanie Stewart, who went on stage in the leading role of Julie Jordan mere weeks after her parents were the victims of a senseless murder, perpetrated by her own sister’s troubled husband.
She was just eighteen, a high school senior who dreamed of Hollywood stardom and her first real kiss.
With the support of her two older sisters — who had problems of their own to deal with in the lingering aftermath of the horror — and her good friends, Mel auditioned for her high school’s spring musical the week after her parents’ funeral. Rehearsals for the production began almost immediately.
In the weeks leading up to the performance, Melanie learned she was stronger than she knew, and being involved in the show helped her begin to heal.
The story took place in small-town America in the mid-twentieth century, and is based on an actual event.
Eli’s Heart: The Carousel Trilogy, Book Two (Literary Fiction)
In the nineteen fifties, ELI LEVIN, a brilliant teenage pianist born with a serious heart defect and not expected to live past the age of thirty, meets KRISSY PORTER on a visit to a small town in the Southeast. They play piano duets, talk about baseball, eat banana splits. A budding romance is ended by interference from Eli’s family, but they find their way back to each other three years later.
They marry on Krissy’s twentieth birthday while they are both college students. The music they share is a vital part of their life together. Once he begins his career, Eli’s rise in the music world is meteoric.
Although they are devoted—and intensely passionate—from the beginning, the couple must struggle with never knowing when the various repairs to Eli’s heart might give out.
You Are My Song: The Carousel Trilogy, Book Three (Literary Fiction)
The nineteen-fifties. Elvis is wearing Blue Suede Shoes. The Grand Old Opry reigns supreme in Nashville.
But in a small Tennessee town Jamie Logan ─ a good-hearted young man with a superb tenor voice ─ stars in his high school’s musical theater production and begins an unlikely, almost magical journey that could take him to the pinnacle of the opera world.
The path is far from simple. Jamie just wants to sing. He is ill-prepared for the jealousy, rivalry and politics he encounters on his way. Personal tragedy, family crises, even a hate crime sidetrack him and threaten to undermine his journey.
There are far more aspiring singers than there are roles available, and young singers quickly learn that simply having a remarkable voice is rarely enough on which to build and sustain a career. Politics, jealousy, vindictiveness, even cruelty can be a part of what a singer has to deal with. And very often, a career can be launched or ended by luck. There has to be more than a desire to sing. There must be an overwhelming, undeniable feeling that this is the singer’s reason for being.
Jamie has the desire, but he also seeks to understand who he is, not only as an artist but as a man. The people he loves are vital to him and he strives to find a way to balance his professional life and his personal life. Jamie has a voice beautiful beyond belief ─ and the love of a woman who inspires him to believe in himself. Will that be enough?
You Are My Song is about Jamie Logan’s journey in “opera world” and the choices he has to make along the way.